Danbi Jeung – Composer & Sound artist – 현대음악 작곡가, 사운드 아티스트 정단비

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Danbi Jeung - Composer & Sound artist

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English
한국어

Danbi Jeung - Composer & Sound artist

ABOUT
MUSIC
ART
ARCHIV
CONTACT

NEWS/UPCOMING

– Metallpulse(New piece) The Artist’s Corner – Hessen Hören program to be broadcast on HR2 Kultur radio on 7th May 2025

– Sound art exhibition in Industriekultur at the Mühlheim water tower from 9 to 17 August 2025

– I have received conceptual support from the Wiesbaden Kulturamt and De la Motte Music Foundation.

The new project with this will be realized by mid-2025!

Looking back on the exhibition "sounds like…? lo

Looking back on the exhibition "sounds like...? looks like...? Peter Roehr - eine klangkünstlerische Hommage", that was held from September to November at Wiesbaden Kunsthaus last year. It was a really intensive project🔥

Thank you for coming!
More information about the works is (finally) updated on my homepage.

Photos and Video by Patrick Bäuml

I will receive artistic concept funding from Wiesb

I will receive artistic concept funding from Wiesbaden Kulturamt and project funding from De la Motte Music Foundation. 🤩🔥
Looking forward to realizing my projects by mid-2025 !!!

wishy-washy (2024) Sound Installation (MDF boards

wishy-washy (2024)

Sound Installation (MDF boards, acrylic glass, figures, thread, LED light strip and 2-channel audio)

This sound installation critically illuminates the attitude in modern society, which neglects the search for the truth in the flood of media and information, selectively accepts information and is carried away by it uncritically. The objects in the work appear to be positioned independently of each other and in different directions, but are ultimately connected to each other by a thread attached to a speaker. By vibrating the speaker with sounds, these objects shake incessantly, symbolizing the psychology of the crowd and the influence of media in today's society. It reflects the image of the public (and us?), some of whom easily fall under the influence of biased information presented by social media without going through a critical analysis or verification process.

* Original work for the Noisestadt project, Mainz Kulturbäckerei

“Kill me now” for voice, otamatone and live-el

“Kill me now” for voice, otamatone and live-electronics is a result of exploring the diversity and differences between acoustic sound distortions that humans can create and sound distortions that can be created through electronic devices. It consists of a combination of sound distortions that humans can make acoustically (scratching, moaning, etc.) and electronic sound distortions created through computer programming, and presents to a new realm of sound that human voices and acoustic instruments cannot reach.

Premiere 08.Dec.2023
Walpodenakademie Mainz, Germany

Let there be fancy Light (Performance version, 202

Let there be fancy Light (Performance version, 2022)
14th Dec. 2022
Walpodenakademie Mainz

It is an experimental performance about an influencer, who wants to be perceived by others as a religious person, and wants to post on social media after the performance.

After attaching drawings of Jesus wearing a colorful crown drawn by A.I., and decorating herself like that drawings by wrapping light bulbs with sound sensors around her head.
The performer says a lot of profound-looking words about light (like a pastor’s sermon), but the audience standing outside hear only overly filtered voices like aliens, so they can not understand the content properly.
After talking a lot of “bullshit” about the light, the performer confesses at the end.
“I just wanted to look a bit religious… because I have to post it on my Instagram.”
After that, it ends by taking a lot of selfies in front of the audience.

Looking back on my sound art master final expo – L

Looking back on my sound art master final expo - Let there be fancy Light (27.Feb-01.Mar 2023)

Thanks for coming 💐🩷

I eat rice my dear (2023) 8 Channel Sound Installa

I eat rice my dear (2023)
8 Channel Sound Installation
(Speakers, Staple foods from different countries, 8-Channel low-frequency composition)

"I don't drink coffee, I drink tea my dear", these words appear in the song "Englishman in New York" by Sting. The text refers to the cultural differences between England and America, because tea is considered an English cultural asset and is traditionally more important than coffee. According to the song, drinking tea in the USA makes you a stranger and the difference in culture and thinking becomes clear through the one drink. The title of the sound installation "I eat rice my dear" is a parody of this song. It expresses cultural differences and individual preferences through staple foods eaten in various countries. These are made to vibrate by low-frequency frequencies and thus produce sounds themselves. Also my personal experiences as a foreigner in a European country and trying to adapt to the life and culture of the place are reinterpreted through sound and food.

Let there be fancy Light(화려한 빛이 있으라) 2022/2023
Sound&Multimedia Installation

”Let there be fancy Light“ is an attempt to satirize the social problems that people suffer from light and noise pollution, such as insomnia due to the LED lights of the crosses of the overly conspicuous Korean churches. In addition, other general issues such as the many themes of offerings, politics within the church, and demonstrations are dealt with unusual themes, and these problems reinterpreted through humor and satire.

Funded by Musikfonds/Hochschule für Musik Mainz

Activation of the work Instrument I (Sevgi and Ben

Activation of the work Instrument I (Sevgi and Bengisu) by Sriwhana Spong

🙌 We will perform again on July 5th and August 16th at 19:00 in Kunsthalle Mainz !

Photo: Lorenz Kerkhoff

I am preparing for my final exhibition, one of the

I am preparing for my final exhibition, one of the graduation exams for the Sound Art Department. Growing up as a Christian in South Korea, I would like to satirize the parts that were difficult to understand culturally through installation and sound. It is open for 3 days at BlackBox on the 2nd floor of Mainz University of Music. Herzliche Einladung für alle 😗

현재 다니고 있는 사운드아트과 졸업시험 중 하나인 전시를 준비 중입니다. 한국에서 기독교인으로 자라면서 문화적으로 이해하기 힘들었던 부분들을 설치물과 소리로서 풍자적으로 표현해보려고 합니다. 마인츠 음대 2층 BlackBox에서 3일간 오픈하니 시간 되시는 분들 보러오셔용 ! 🤩

HfM Mainz BlackBox
27.02 13:00-20:00
28.02 16:00-20:00
01.03 16:00-20:00

Excerpts of my latest piece „We all must be a Br

Excerpts of my latest piece „We all must be a Brain in a vat“ for Nonet and Sound Installation. 🧠❤️
Amazing performances in Köln, Berlin and Göttingen by @radiantachtensemble 🔥

8 Spannende Uraufführungen in Köln, Berlin und G

8 Spannende Uraufführungen in Köln, Berlin und Göttingen !
Kommt vorbei und erlebt was wir durch die Pandemie geschaffen haben. 🙌
Mein neues Werk 'We all must be a brain in a vat(Wir alle müssen ein Gehirn im Tank sein)' für Nonentt und Klanginstallation wird auch uraufgeführt !! 🧠

쾰른, 베를린, 괴팅엔에서 재밌는 연주를 합니다 ㅎㅎㅎ 놀러오세용~

23. September in Köln (Kunststation St.Peter)
26. September in Berlin (Heimathafen Neukölln)
28.September in Göttingen (WERKRAUM)

Trauerfeier für Künstler(Funeral for artists, 20

Trauerfeier für Künstler(Funeral for artists, 2020)
for Ensemble and Fixed media

19.3.2022 Badisches Staatstheater Karlsruhe
2. NACHTKLÄNGE - ANKLANG

* Due to Badisches Staatstheater's performance copyright, the official recording cannot be posted.

excerpts from Look at the other side (2 Channel Au

excerpts from Look at the other side (2 Channel Audio and Video)
Collaboration with Juan Bermudez

30th Koblenz Guitar Festival & Academy
29th May - 6th June 2022
Rhein-Mosel-Halle, Koblenz, Germany

Photos © by Kai Myller, Peter Kiefer

Sound of absence – CD from A.R.S.(art research sou

Sound of absence - CD from A.R.S.(art research sound) has been released.
A collection of works based on impressions of lockdown and field recordings of places affected by the COVID.
-
In a quiet, empty airport, the sound of escalators, one person talking on the phone, the sound of footsteps, the sound of cleaning can now be heard so clearly. The airport is now crowded with that noises other than the loud voices of people, which were the main materials.
(Opacity Crowd, Recorded on January 20, 2021 at Frankfurt Airport)

Until October, I will be able to work with the sup

Until October, I will be able to work with the support of the Neustart Kultur Scholarship from Deutscher Musikrat and the Scholarship in Composition from the Niedersächsische Ministerium für Wissenschaft und Kultur. Happy with new upcoming projects !

Zum Geburtstag Viel Stück !

Zum Geburtstag Viel Stück !

My new string quartet ‚51:49‘ will be premiere

My new string quartet ‚51:49‘ will be premiered in Seoul at the first concert of INO (International Intercourse of New music organisation) with the support from Seoul Foundation for Arts and Culture. 🇰🇷
*
10월 21일-22일 서울 일신홀에서 서울문화재단의 지원하에 국제 교류 현대음악 협회 INO의 창단 연주회가 있습니다 ! 제 새로운 스트링 퀄텟 ‘51:49’가 초연됩니다. 독일에 온 이후로 한국에서의 곡 발표는 처음이네요 ! 😃

Zu entfernt, oh, jetzt zu nah (Too distant, oh, to

Zu entfernt, oh, jetzt zu nah (Too distant, oh, too close now)

#Repost @klangkunstfestival_soundseeing with @make

#Repost @klangkunstfestival_soundseeing with @make_repost
Jetzt hören und sehen )): »ears & eyes« – Positionen junger Klangkunst )): nur bis 21.06. im Kunstverein Münsterland in Coesfeld )): Di - Fr 14 - 18 Uhr | Sa 10 - 13 Uhr | So 11 - 17 Uhr | Anmeldung nicht erforderlich

Wingel Mendoza – Colour Memories
Meike Borchers* – Smart Enlightenment / Typing
Juan David Bermúdez – Weil sie keinen Kaffee pflückten
Christopher Dahm – LEAVES
Anahita Ghasemi Nasab – One Speaker Performance @anahitaghn
Danbi Jeung – Artistic Distancing @danbijeung_works
Stefan g. Fricke – Silk / fahertit

Speziell für den Kunstverein Münsterland in Coesfeld sind Arbeiten entstanden, die die Wechselwirkung von Klang und Bild thematisieren: das Geräusch fallender Kaffeebohnen wird mit einem politischen Kontext hinterlegt; kreisende Blätter erzeugen subtilste Klänge an der Wand; interaktive, computergesteuerte Plattenspieler übersetzen Farben in Sounds; grafische Arbeiten evozieren inneres Hören und bezeugen einen
künstlerischen Fern-Dialog in Corona-Zeiten; ein Video demonstriert: auch Kunstwerke müssen Abstand halten; ein Lautsprecher reflektiert über seine Funktion; die Geräusche der allgegenwärtigen SMS-Kommunikation mit Smartphones ticken durch den Raum.
»ears & eyes« ist eine facettenreiche Ausstellung aktueller Klangkunstarbeiten – zum Hören, Sehen, Fühlen und Denken.

Klasse Klangkunst-Komposition der Hochschule für Musik Mainz | Betreuung: Prof. Peter Kiefer | Prof. Stefan Fricke | Klgr. Andres Bosshard
https://soundart.uni-mainz.de | *Meisterschülerin Prof. Dieter Kiessling, KHM Mainz

#diekunstdeshörens ;)))) #SOUNDSEEING 2021 – das münsterlandweite #Klangkunstfestivalwird gefördert von: Ministerium für Kultur und Wissenschaft NRW @mkw_nrw #kunstiftungnrw#lwlkulturstiftung#gelsenwasserstiftung
Kultur- und Medienpartner: WDR3 @wdr und @kultur.west

Träger: Landesmusikakademie NRW Heek @landesmusikakademienrw

#soundwalk #klanginstallation #klangkunst #jungekunst #artinprogress #soundart #sounds #kulturnrw #kulturwest #soundscape #coesfeld#soundwalkcollective#peoplematchingartworks @kreiscoesfeld #foundsound #mitsicherheitoffen @kunstvereinmuensterland

‚Genie nur auf dem Bett‘ (Genius only on the b

‚Genie nur auf dem Bett‘ (Genius only on the bed), music theatre for Soprano/Performence, Video and Electronics.
(full version link in bio)

New work ‚Genie nur auf dem Bett’(music theate

New work ‚Genie nur auf dem Bett’(music theater version) for soprano, video and electronics will be premiered on December 7th in Karlsruhe 🙃

Artistic Distancing (2020) for Video

Artistic Distancing (2020) for Video

Instead of EMAF(European Media Art Festival) exhib

Instead of EMAF(European Media Art Festival) exhibition canceled due to COVID-19, artworks from me and our sound-art class were published on online catalog.

New work ‚Funeral for artists‘ for ensemble, t

New work ‚Funeral for artists‘ for ensemble, tape and video will be premiered by Badischen Staatstheater Karlsruhe.

Etuis Etüden (2018) for Clarinet, Violin, Boxes a

Etuis Etüden (2018) for Clarinet, Violin, Boxes and Cases

Amoeba II (2017) for Trio

Amoeba II (2017) for Trio

aus dem A(2016) for accordion

aus dem A(2016) for accordion

Reste (2019), Sound installation

Reste (2019), Sound installation

Amoeba I (2017) for Trombone octet

Amoeba I (2017) for Trombone octet

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